Are teenage dreams so hard to sell?

It was presented by the young classicist Michael Scott, who didn’t always keep his eye on the target audience. When he said that “most Greeks didn’t get where the Spartans were at”, he was trying to win round a young audience that hadn’t tuned in to begin with. As subsequent programmes in the Luxury season attest, teenagers aren’t interested in ancient history: they’re interested in status symbols. Youth may be wasted on the young, but the same can’t be said of advertising.

Perfume: Something Old, Something New , the first episode of a three-part series (Tuesdays), concerned, among other things, the efforts of the Tommy Hilfiger brand to develop and market a new perfume aimed at the youth market, also known as Generation Y . “When you ask these people, ‘How do you describe yourself?’,” said perfume designer Veronique Gabai-Pinsky, “the key adjective is ‘creative’. I think they make a very clear difference between what is marketed and what is genuinely created.”

By “marketed”, she meant “developed with the help of panel testing and focus groups”; by “created” she meant “developed by experts”. In other words, young people are happy to buy as long as they don’t feel manipulated, patronised or tricked. Gabai-Pinsky’s aim was to come up with a product that would achieve commercial success by appearing to stand for more than commercial success – one that would make an enormous number of people all feel like individuals. The result was Loud, a perfume “built around a music proposition” (the bottle is shaped like a vinyl record) and “aimed at Gen-Y users”. The “face” of Loud was the model Daisy Lowe, who talked to journalists at the London launch not about her love of perfume – too brash – but her love of music: “I couldn’t go anywhere without my iPod.” Lowe (born 1989) was exactly the kind of spokesperson Gabai-Pinsky was looking for – a girl who can sell without “selling”.

The talking-heads-plus-archive-footage documentary Teenage Kicks: The Search for Sophistication (Monday) was devoted to commercial products that hadn’t necessarily been aimed at teenagers, but which nevertheless fascinate or appeal to them. It swiftly emerged that teenagers like things that make them appear more mature and confident than they feel. In between reminiscences from people who used to be teenagers (at wildly varied times), we were treated to adverts for Old Spice, Babycham, Strand cigarettes, Nescafé Gold Blend and Ferrero Rocher.

Symbols In Dreams - News


Are teenage dreams so hard to sell?

As subsequent programmes in the Luxury season attest, teenagers aren't interested in ancient history: they're interested in status symbols. Youth may be wasted on the young, but the same can't be said of advertising. Perfume: Something Old, Something



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The three dreams that I have interpreted, I did it by relating them to our personal experiences and what certain symbols may mean to us, to see what we need to learn and unlearn from it. I do not refer to archetypes, or universal interpretation of symbols, though sometimes they may help. To me, what we dream is personal to us, unless we have a reason to believe that God is prophesying through us, and if and when that happens, we need to compare it with Scripture. Anyway, there is this one dream of mine I still have no idea what it means, I dreamt I was in the departmental store trying on a pair of plain black shoes. When I remove it to be tried by someone else, they had hideous black spikes jutting out all over. I then walked to the other stores but they were all out of shoes. It's a weird dream, and I've given up trying to interpret it. Moreover, I've forgotten the context or what was I experiencing when I had that dream and so it is not important anymore, unless of course it is a premonition from God, which is exactly what my friend's dream was. Interpreting that one was downright amazing.


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